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Transitions
5.2011– "TRANSITIONS"
The opera house, Performing Arts Center, Tel Aviv
Curator: Udi Rosenwein
The exhibition Transitions has an unusual background: The raw materials were taken from casting parts used in the trains and locomotives Middle East from 1931 to 1948 and then the train to Israel until the year 1952. Tree stencils used for casting parts hectares are the raw materials a series of sculptural works in this work the artist calls her "internalization - externalization". "through installations I reveal personal process of introspection, and personification of the material. I'm flowing with the native in the tree and touch the hidden places like the transitions from childhood to intimate relationship and moving outward from inside to the passing figures in our lives, life and death until the view to infinity. "
The artist's perspective is that in our personal transitions, we are surrounded by a variety of characters, when some of them a decisive influence on our track of life. Each of the passages we maintain personal contact with parents, with their partner, with the child, with family, with the boss and so on. Human dialogue is perceived as one of the most complex and raises many questions: What makes interpersonal communications needs and provides for us? What should each spouse to contribute to a dialogue of life preservation context that point in time, how a person deals with an inner world filled with the same connection?
In response to these questions shows the artist installations in pairs to express different conceptions of interpersonal communication through partnership: a balanced relationship. Intimate relationships, couples costume, couples massive, double screw and relationships at eye level.
The interpretations are varied but the source is the same – the same wooden templates left unused for decades, where I use the authenticity of the materials to illustrate how history obtains another meaning and becomes a living project.
Udi Rosenwein, Curator
The opera house, Performing Arts Center, Tel Aviv
Curator: Udi Rosenwein
The exhibition Transitions has an unusual background: The raw materials were taken from casting parts used in the trains and locomotives Middle East from 1931 to 1948 and then the train to Israel until the year 1952. Tree stencils used for casting parts hectares are the raw materials a series of sculptural works in this work the artist calls her "internalization - externalization". "through installations I reveal personal process of introspection, and personification of the material. I'm flowing with the native in the tree and touch the hidden places like the transitions from childhood to intimate relationship and moving outward from inside to the passing figures in our lives, life and death until the view to infinity. " The artist's perspective is that in our personal transitions, we are surrounded by a variety of characters, when some of them a decisive influence on our track of life. Each of the passages we maintain personal contact with parents, with their partner, with the child, with family, with the boss and so on. Human dialogue is perceived as one of the most complex and raises many questions: What makes interpersonal communications needs and provides for us? What should each spouse to contribute to a dialogue of life preservation context that point in time, how a person deals with an inner world filled with the same connection?
In response to these questions shows the artist installations in pairs to express different conceptions of interpersonal communication through partnership: a balanced relationship. Intimate relationships, couples costume, couples massive, double screw and relationships at eye level.
The interpretations are varied but the source is the same – the same wooden templates left unused for decades, where I use the authenticity of the materials to illustrate how history obtains another meaning and becomes a living project.
Udi Rosenwein, Curator
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